It’s not a simple matter to separate photojournalism from visual propaganda intended to sway emotions and opinions. Drawing in part on iconic images from Dorothea Lange’s career, expert Frank Baker explores the question and shares SEL and media literacy lesson resources.
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School in Spring. Freedom so close you can taste the poolside popsicles. Teachers open windows for a waft of fresh air. Sunny dispositions abound. Students squirm but they learn. Except, writes teacher Laurie Lichtenstein with weary humor, this is MIDDLE school. In Spring.
Michelle Russell’s plan to end the year with some “serious teaching” has quickly collapsed under the weight of special events. That’s okay. “It came to me eventually that I also want to enjoy the last few weeks I will have these students.” Here’s what she decided to do.
If you are a beginning teacher, wondering about time, survival guide author Julia Thompson has created a collection of quick tips that can help you maximize every minute at school, minimize the time you spend working at home, and keep from sabotaging your own strategies.
What if students could find a way to overcome their fear of speaking, learn storytelling, and become more confident public speakers? Teaching these skills to middle graders using stand up comedy can lay the groundwork for greater success, writes actor-educator Kevin Flynn.
Our students are native digital readers, but they aren’t necessarily logged into their Kindle accounts. Helping middle schoolers become lifelong readers of credible news and information requires proactive strategies. Teacher Jeremy Hyler describes three of his favorites.
Marilee Sprenger shares the “break-up letter” she read to her middle school students to help them become aware of their emotions and find strategies that will work for them and their individual experiences. She includes follow-up activities to build SEL skills for all.
As the presidential race heats up, stagecraft and poli-optics will be an important part of everything we see and hear, writes media literacy expert Frank Baker. Here’s how we can help students pull back the curtain on techniques used by professional image manipulators.
Whether they are fiction or nonfiction, the best stories are told through mood as we react to events, people and emotions. For students, identifying, tracking and exploring moods in stories and images is an easy way to enter into text. Teacher Trevor Bryan shares his approach.
Reshma Saujani offers insights about what it means for girls to be brave but not perfect. Teachers can pass her ideas on to their students, writes educator Bill Ivey, whether by internalizing them and sharing when needed or by actually studying Saujani’s book in class or in clubs.