Practical, touching and funny, David Sherrin’s Authentic Assessment in Social Studies: A Guide to Keeping It Real offers a multitude of innovative approaches while reminding us that student potential lies at the heart of everything we teachers do, writes Sarah Cooper.
How do we put our young writers first? We seek to develop a mindset and actions that provide opportunity, dignity, and encouragement, says literacy expert Regie Routman. Then we carefully tailor feedback that celebrates strengths and boosts each and every writer’s confidence.
The authors of the Social Studies Teacher’s Toolbox have constructed a research-based “honest, human guide” to helping students understand and care about what they learn. You will dig through and dog-ear it, and your students will be the richer for it, writes Sarah Cooper.
Whether summer means it’s time to relax, bolster your professional know-how, or improve your bank balance, we have suggestions from your educator colleagues (and other sources) that can help. Plan now!
As many of us find ourselves thrust into the realm of distance learning, PA TOY Marilyn Pryle details how she uses two online platforms, Edmodo and Flipgrid, for intellectual and social/emotional learning. “Any tool is only as effective as how it is put to use,” she reminds us.
In Between the Commas 6th grade teacher Jeny Randall is delighted to have found a new mentor in writing instruction who emphasizes a sentence construction framework. She looks forward to growing even more as a writing teacher thanks to Martin Brandt’s “irreverent wisdom.”
Helping the many kids who seem to struggle with attention is what Teach for Attention! is about. Formatted into 7 power-packed chapters, the book offers methods, tools, and strategies to help all students become engaged learners who like school, writes principal Rita Platt.
At the heart of Ralph Fletcher’s Focus Lessons, writes Jeny Randall, teachers will find lessons that can help students connect the photographic concepts of tension, point of view, and mood to the craft of writing – so that the idea of sensory details becomes concrete.
The narrow “alphabetic” definition of writing found in many school classrooms actively disengages youth, says literacy author Shawna Coppola. Students simply prefer to compose using forms that incorporate visual, aural, and multimodal texts as a way to make or enhance meaning.
Rural teacher Brent Gilson wants to help his 7-9 students “begin to see the world as it is and can be” before they leave school. His book clubs and writing projects will help small town kids understand more about people “who at first glance do not seem at all like them.”