Sunny Nwazue discovers she is a witch in Nnedi Okorafor’s novel about how a girl raised amid Nigerian-American culture experiences tween life in Nigeria. Dina Strasser recommends the book for its overt tackling of racism, ableism, and sexism as well as its narrative magic.
Tagged: Dina Strasser
Students have all too real tech issues interfering with online participation. But Dina Strasser’s pandemic experience tells her other kids’ black squares in Zoom signal disengagement. Here are 5 ways she’s keeping them tuned in with virtual class management strategies.
Is there a price students must pay to earn a teacher’s respect? The posters in Dina Strasser’s classroom and school seem to frame “respect” as a transaction. Given the power and skill imbalance that exists between student and teacher, can that possibly be good practice?
There are too many demands on instructional time in the Covid era to waste very much of it teaching at the lowest level of Bloom’s Taxonomy. ELA/ENL teacher Dina Strasser recommends taking a fine-tooth comb to those sometimes necessary TPT plans and removing the fluff.
Dina Strasser shares ‘a small bit’ about why she changed her blog title to I Will Screw This Up, has some news about a big celebration in the world of awards, and offers some reflection on a book by a Canadian SF/fantasy author you might not yet have in your YA collection.
Worry, anger and fear are not worthy expenditures of a teacher’s precious energy, writes Dina Strasser, as she prepares for a pandemic fall in a new school. “I am inviting us to look upon our exhaustion as a gift. It will teach us what is necessary and what is not.”
If you’re like teacher Dina Strasser, you may be wondering if your online classes add up to teaching. Yes, she says. You’ve adapted on the fly – suddenly providing virtual school to students who just weeks before greeted you at the classroom door. See if her real-life snippets match your experience.
“Covid-19 is a red contrast dye,” writes Dina Strasser. “Dumped into the cauldron of schools, it shows us the cracks and flaws that were already there.” Even so, as her students slowly figure out their tech, “they are coming alive to me and for me in ways I never could have predicted.”
At home with her teens, ELA teacher Dina Strasser discovers how to create a compromise between parents who need (and ought to be) “captains of the quarantine ship,” and teens who need to be respected and loved as individuals. Their much-discussed home schedule is a start.
Acknowledging that as a white woman of privilege she cannot fully experience the depth of meaning in Tomi Adeyemi’s Children of Blood and Bone, ELA teacher Dina Strasser shares four takeaways from her limited perspective as an educator and lover of speculative Young Adult fiction.